Updated: Aug 4, 2020
In 1872, under the leadership of Fr. Isaac Hecker, CSP, The Church of St. Paul the Apostle decided to undertake a massive expansion. After original plans drawn up by a French Architect with the input of Fr. Hecker were described as resembling a "heathen mausoleum", by Paulist Father Alfred Young, who, despite his inexperience with construction, was placed in charge of the project, acclaimed architect Jeremiah O'Rourke was recruited to design the new church. O'Rourke's designed a red granite church in a plain Gothic style, combining Hecker's desire for open space and European influences with the more traditionally American decorative details Young desired.
However, after the Great Financial Panic of 1873 caused the project's budget to be slashed, the Paulist Fathers decided that, in order to save money, they would have to alter O'Rourke's initial plan. They switched to recycled materials, straying from classic Gothic style, and accidentally preserving some New York City History. The gray stone you can see on the church today was salvaged from the then-recently demolished Croton Aqueduct. The gray granite stairs, meanwhile, were rescued from Edwin Booth's recently closed Shakespearean Theatre, which had suffered significant losses both due to the financial crisis, and the fact Booth's brother had assassinated President Lincoln some 10 years before.
St. Paul's Under Construction
It took many years for the financial situation to improve, and in 1876, the Paulist Fathers decided to temporarily halt construction on St. Paul's until it improved. When it resumed, Fr. George Deshon was appointed new supervisor of the project, replacing Fr. Young. Fr. Deshon had been a professor of military engineering before joining the preisthood, and, much to the O' Rourke's chagrin, insisted on making many changes to the original design, in order to facilitate more efficient construction and suit his own tastes. After Deshon brought in a series of consulting artists to redo O'Rourke's interior designs and himself altered the design of the roof, which had been a special pet project of O'Rourke's, the architect left the project in protest. Father Deshon took over as lead architect for the remainder of the project, and made many more changes, favoring a simple exterior and ornate interior.
1950's- Before the Construction of Lincoln Center Dramatically Altered Hell's Kitchen